Plain narration, unhurried, the way a chapter opens.
On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge.Crime and Punishment, Constance Garnett, 1914
- Every word is timed, so the page lights the word being read.
- Your place is kept to the second, chapter to chapter.
- R1 will read in your own voice instead.
Dialogue, offhand and warm, one character talking across a room.
The loaf I'll fetch you this very minute, but wouldn't you rather have some cabbage soup instead of sausage? It's capital soup, yesterday's. I saved it for you yesterday, but you came in late. It's fine soup.Crime and Punishment, Constance Garnett, 1914
- Every word is timed, so the page lights the word being read.
- Your place is kept to the second, chapter to chapter.
- R1 will read in your own voice instead.
The same reader at full pitch, to hear what the voice does under strain.
'Ah!' she cried out in a frenzy, 'he has come back! The criminal! the monster! And where is the money? What's in your pocket, show me! Where are your clothes? Where is the money! Speak!'Crime and Punishment, Constance Garnett, 1914
- Every word is timed, so the page lights the word being read.
- Your place is kept to the second, chapter to chapter.
- R1 will read in your own voice instead.